The Proles Wall Years
10 February - 30
June 2011
Opening hour: 18h30
In 1984, Paula Rego was invited to take part in the collective
exhibition Nineteen Eighty-Four organised by the Camden
Arts Centre to mark the publication in 1948 of George Orwell's
powerful utopian critique of a society in the near future. The
artist created a large painting that she called Proles
Wall, introducing into the narrative the term used by the
writer to refer to the proletariat and in particular the complex
web of tensions and power relations in an authoritarian and
self-vigilant society, here looked at from a personal and
transforming perspective that the constraints of the drawing
impose.
Proles Wall brings one phase of Paula Rego's work to an
end and begins another. It is the culmination of the
Operas series, large-scale works based on the librettos
from the early eighties, a work of unmatched breadth that fuses the
sense of the literary work on which it is based with a careful and
critical examination of contemporary society. And it initiaties new
work, such as the Dentro e Fora do Mar and Vivian
Girls series, densely-peopled narratives with truncated plots
in which intense and direct colour is used as a constituent element
in the drawing and the composition.
This exhibition, the third such temporary exhibition dedicated
to Paula Rego, is based on the establishment of a dialogue between
the central work Proles Wall, a set of 10 panels belonging to the
collection of the Fundação Calouste Gulbenkian's Modern Art Centre,
and pieces from the Casa das Histórias.